aktuelle Ausstellung | current exhibition


Donnerstag, 25. April 2024

paper positions 2024

with Inga Kondeyne gallery











 

 

 

 

 

 

 

 

 

 

 

 
25 – 28 April 2024
Deutsche Telekom Hauptstadtrepräsentanz
Französische Straße 33 a-c
10117 Berlin


professional preview:
Thursday, April 25, 2024
2 – 6 pm (with vip card only)
 
opening reception:
Thursday, April 25, 2024
6 – 9 pm
opening party:
8.30 – 11 pm

 
Friday, April 26, 2024
11 am – 1 pm (with vip card only)
1 – 6 pm
 
Saturday, April 27, 2024
11 am – 8 pm
 
Sunday, April 28, 2024
11 am – 6 pm

 

https://www.paperpositions.com/cities/berlin 

 

Dienstag, 30. Januar 2024

Everyone but Caspar



 

EVERYONE BUT CASPAR

Eröffnung: 01.02.2024

Ausstellung: 02.02.-04.02.2024

Das Künstlerhaus Sootbörn startet vom 02.- 04. Februar das Ausstellungsjahr 2024 mit der großen internationalen Gruppenausstellung KUNSTHALLE NIENDORF – EVERYONE BUT CASPAR!

Eröffnungsparty: Donnerstag, den 01.02.24 ab 19 Uhr

Künstlerhaus Sootbörn kicks off the 2024 exhibition year from February 2-4 with a major international group exhibition KUNSTHALLE NIENDORF – EVERYONE BUT CASPAR!

Opening party: Thursday, 01.02.24 from 7 pm

https://kuenstlerhaus-sootboern.de/everyone-but-caspar/

ORNAMENT UND VERBRECHEN 6


 

ORNAMENT UND VERBRECHEN 6 — LAGE EGAL CURATORIAL PROJECT #207

39 ARTISTS + 55 ARTWORKS

Exhibition dates: DEC 10, 2023 — JAN 13, 2024
Opening hours FRI — SAT, 3pm—6pm,
also open by chance or appointment

LAGE EGAL CURATORIAL PROJECTS
Curated by PIERRE GRANOUX
Strausberger Platz 19, 10243 Berlin

Contact: +49 173 1807226
sonderlage@lage-egal.net

We are pleased to present the sixth ORNAMENT UND VERBRECHEN exhibition, featuring a wide selection of works by artists who have accompanied LAGE EGAL this year or whom we have met recently. The series of exhibitions takes place at our temporary space at Strausberger Platz 19, located within one of the historic neoclassical Hermann Henselmann towers, also known as “Haus des Kindes”. The title of this series takes inspiration from the renowned essay by architectural theorist Adolf Loos, who asserted that ornament was a sign of decadence and violence in modern society.

The selected works compose again an unique landscape of objects and architectural elements that reflect the narratives of modernity and minimalism and the role they play in contemporary society. This prompts us to question our own conceptions of ornamentation and the underlying complexities of our built environment.