aktuelle Ausstellung | current exhibition


Montag, 16. September 2024

FABULÖSE FIGMENTS – Maya Frodeman Gallery

September 20 – November 3, 2024





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

untitled (#E12), edition of 12, 29.7x21 cm, vitreous enamel on steel

 

OPENING RECEPTION on Friday, September 20th from 5 to 7pm.

See the online catalog: https://www.mayafrodemangallery.com/publications/86-astrid-koppe/

 

Maya Frodeman Gallery (formerly Tayloe Piggott Gallery)

66 South Glenwood Street

Jackson Hole, Wyoming 83001

Monday - Saturday 11am - 6pm  |  Sunday by appointment


https://www.mayafrodemangallery.com/

Freitag, 6. September 2024

PRETTY SHINY STUFF @ Gallery Sekiryu

Minami-Aoyama Room, Tokyo: September 13-28, 2024

Matsumoto: October 12-27, 202



Gallery Sekiryu is pleased to present Astrid Köppe's second solo exhibition in four years focusing on her latest drawings at two venues: Aoyama Tokyo and Matsumoto Nagano.    

Astrid Köppe (born in Köthen, Germany, 1974) has been creating delicate drawings of mysterious beings captured by her inner eye on A4 paper since 1999 without changing her format. Her creative process is reminiscent of early botanists who meticulously observed and accurately depicted new plant species in botanical illustrations.    

Based on this drawing approach Köppe explores different dimensions and scales through enamel works which involve firing glassy glazes onto metal panels and through installations that add a twist to everyday objects.    

Regardless of the style what unites her work is a pleasant sense of bewilderment and a ticklish humor. These qualities are distinctly Köppe.

Montag, 2. September 2024

30 Jahre Arte Giani – Jubiläumsausstellung

 ARTE GIANI zeigt vom 4. September – 8. November 2024


 

 

 

 

 

 

 

                                

 

 

 

„30 Jahre ARTE GIANI 1994–2024“ 

mit Jörg Ahrnt, Barbara Feuerbach, Trevor Gould, Ulla Hahn, Simon Halfmeyer, Irene Hardjanegara, Friedhard Kiekeben, Astrid Köppe, Jutta Obenhuber, Peter Schlör, Winfried Skrobek u.a. 

Vernissage: Mittwoch 4. September 17:30-20 Uhr

Öffnungszeiten während des Saisonstarts: 6.9. bis 22 Uhr, 7. u. 8.9. 11-18 Uhr 





 

 

 

 

 

 

 

Astrid Köppe: o.T. (Z08_182), 2008, 29,7x21 cm / o.T. (Z23_015), 2023, 297x21 cm

 

ARTE GIANI
Dr. phil. Claudia Giani-Leber
mainBuilding – Taunusanlage 18
60325 Frankfurt am Main
+49-69-97 58 37-88
+49-172-66 49 385
www.artegiani.de
Öffnungszeiten: Mo 12-18 Di – Fr 10-18 u.n.V.


Samstag, 24. August 2024

Flora Fantastica

mit Sujin Kim

Galerie Carolyn Heinz/Collectors Room Hamburg


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

30. August – 21. September 2024


Eröffnung: Freitag, 30. August, 19-22 Uhr

Galerie Carolyn Heinz

Klosterwall 13
D-20095 Hamburg

https://carolynheinz.de/exhibition/flora-fantastica/


Samstag, 13. Juli 2024

ART OSAKA – Paramnesia










July 18-22, 2024

ART OSAKA Expanded Section with Gallery Sekiryu

Creative Center OSAKA, 4-1-55 Kitakagaya, Suminoe-ku, Osaka, 559-0011 JAPAN

Thursday July 18: 2:00 pm - 7:00 pm  
Friday/Saturday/Sunday, July 19-21: 11:00 am - 7:00 pm  
Monday July 22: 11:00 am - 5:00 pm  

Gallery Sekiryu will be participating in the ART OSAKA 2024 Expanded Section. This section focuses on large-scale works and installations that expand preconceived notions of art, with each gallery presenting site-specific exhibitions in a solo exhibition format by the artists.

Our gallery will feature Astrid Köppe, a Berlin-based artist who centers her work around drawing. Born in Köthen, Germany in 1974, Köppe will exhibit her installation "PARAMNESIA" in a corner of a designated modern industrial heritage shipyard, evoking layers of time.

Since 1999, Köppe has been creating enigmatic objects in her drawings, incorporating a wide variety of visual information such as plants, animals, minerals, and fungi, all depicted with a delicate and sophisticated touch. These objects evoke various associations in the viewer but ultimately remain unresolved, leaving us in a peculiar state of suspension.

In this installation, which extends her drawing approach into three dimensions, familiar everyday objects undergo unexpected proliferation and congregation, creating entirely new and strange scenes. The title "PARAMNESIA" refers to a memory disorder where reality and unreality blend together, symbolizing Köppe's attempt to destabilize our stable perceptions and memories.

Köppe's works have been exhibited extensively in Europe, the United States, Malaysia, South Korea, Taiwan, and Japan, and are included in public collections such as the Kupferstichkabinett of Berlin, Herzog Anton Ulrich Museum in Braunschweig, and Hamburger Kunsthalle. This time, the installation will be presented alongside Köppe's drawings and her other lifelong work, large enamel pieces (metal panels painted with vitreous enamel and fired), providing a comprehensive experience of her multifaceted practice.

Astrid Köppe's world, characterized by a pleasant dazzle and a ticklish sense of humor, will be presented as an immersive space incorporating sound and light. We hope you will be able to visit and enjoy the exhibition.

https://www.artosaka.jp/2024/en/

Donnerstag, 27. Juni 2024

FUKT Magazine: Lines, Lost & Found


 

 

 

 

 

 

 

 

 

 

 

 

 

Artists: Anke Becker, Laura Bruce, Yane Calovski, Daria Chernyshova, Nadine Fecht, Stella Geppert, Bjørn Hegardt, Hanna Hennenkemper, Frank Höhne, Karl Holmqvist, Hristina Ivanoska, Alevtina Kakhidze, Astrid Köppe, Bettina Krieg, Caroline Kryzecki, Pia Linz, Javier Lozano, Britta Lumer, Stefan Marx, Nanne Meyer, Océane Moussé, Christoph Niemann, Inken Reinert, Matthias Reinhold, Ariane Spanier, Protey Temen, and more.
Curated by: Bjørn Hegardt

Reuterstraße 59, 12047 Berlin

Opening: Friday 28.06. 18:00–22:00 Uhr

Sa., 29.06. 14:00–20:00 Uhr
So., 30.06. 14:00–17:00 Uhr

————
Lines, Lost & Found is a drawing exhibition featuring Berlin artists who have been part of the magazine's 25-year history. Through their diverse concepts and techniques, they contribute to the ongoing conversation about the role and evolution of drawing in contemporary art. The title reflects the dynamic and unpredictable nature of drawing, where experimentation and discovery are closely linked.

FUKT Magazine is an annual publication dedicated to contemporary drawing. Each issue focuses on a specific theme and includes interviews, essays, and drawings from artists around the world. The magazine was founded in 1999 by artist Bjørn Hegardt and has been co-edited with Creative Director Ariane Spanier since 2006.


https://www.fuktmagazine.com/

 

Samstag, 4. Mai 2024

Nature Unlimited – Museum Art.Plus


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

05.05.2024 – 27.09.2025

Eröffnung: Sonntag, 5. Mai 2024, 12 Uhr

Die Natur zeigt sich den Besuchern in unserer Ausstellung "Nature Unlimited" im Museum Art.Plus in Form von Zeichnungen, Bildern, Skulpturen und Installationen. Jedoch ist die gezeigte Natur nicht bedrohlich, nicht gefährdet, aber auch nicht romantisch verklärt dargestellt. Stattdessen finden die Besucher viel Harmonie, Symmetrie, Energie und positive Ausstrahlung.

Teilnehmende Künstler:
José Arnaud-Bello (MX), Dario Basso (ES), Carlo Borer (CH), Wim Botha (ZA), Angela Flaig (DE), Friedemann Flöther (DE), Ileana Florescu (RO), Jinmo Kang (KR), David Kassman (IL), Bodo Korsig (DE), Reinhard Klessinger (DE), Astrid Köppe (DE), Gerhard Langenfeld (DE), Ulrich Möckel (DE), David Nash (GB), Martin d’Orgeval (FR), Irene Pätzig (DE), Flavio Paolucci (CH), Chanoo Park (KR), Giuseppe Penone (IT), Thomas Putze (DE), Davide Rivalta (IT), Willi Weiner (DE)

Museum Art.Plus
Museumsweg 1 / Ecke Josefstraße
78166 Donaueschingen

https://www.museum-art-plus.com/ausstellung/nature-unlimited/

Donnerstag, 25. April 2024

paper positions 2024

with Inga Kondeyne gallery











 

 

 

 

 

 

 

 

 

 

 

 
25 – 28 April 2024
Deutsche Telekom Hauptstadtrepräsentanz
Französische Straße 33 a-c
10117 Berlin


professional preview:
Thursday, April 25, 2024
2 – 6 pm (with vip card only)
 
opening reception:
Thursday, April 25, 2024
6 – 9 pm
opening party:
8.30 – 11 pm

 
Friday, April 26, 2024
11 am – 1 pm (with vip card only)
1 – 6 pm
 
Saturday, April 27, 2024
11 am – 8 pm
 
Sunday, April 28, 2024
11 am – 6 pm

 

https://www.paperpositions.com/cities/berlin 

 

Dienstag, 30. Januar 2024

Everyone but Caspar



 

EVERYONE BUT CASPAR

Eröffnung: 01.02.2024

Ausstellung: 02.02.-04.02.2024

Das Künstlerhaus Sootbörn startet vom 02.- 04. Februar das Ausstellungsjahr 2024 mit der großen internationalen Gruppenausstellung KUNSTHALLE NIENDORF – EVERYONE BUT CASPAR!

Eröffnungsparty: Donnerstag, den 01.02.24 ab 19 Uhr

Künstlerhaus Sootbörn kicks off the 2024 exhibition year from February 2-4 with a major international group exhibition KUNSTHALLE NIENDORF – EVERYONE BUT CASPAR!

Opening party: Thursday, 01.02.24 from 7 pm

https://kuenstlerhaus-sootboern.de/everyone-but-caspar/

ORNAMENT UND VERBRECHEN 6


 

ORNAMENT UND VERBRECHEN 6 — LAGE EGAL CURATORIAL PROJECT #207

39 ARTISTS + 55 ARTWORKS

Exhibition dates: DEC 10, 2023 — JAN 13, 2024
Opening hours FRI — SAT, 3pm—6pm,
also open by chance or appointment

LAGE EGAL CURATORIAL PROJECTS
Curated by PIERRE GRANOUX
Strausberger Platz 19, 10243 Berlin

Contact: +49 173 1807226
sonderlage@lage-egal.net

We are pleased to present the sixth ORNAMENT UND VERBRECHEN exhibition, featuring a wide selection of works by artists who have accompanied LAGE EGAL this year or whom we have met recently. The series of exhibitions takes place at our temporary space at Strausberger Platz 19, located within one of the historic neoclassical Hermann Henselmann towers, also known as “Haus des Kindes”. The title of this series takes inspiration from the renowned essay by architectural theorist Adolf Loos, who asserted that ornament was a sign of decadence and violence in modern society.

The selected works compose again an unique landscape of objects and architectural elements that reflect the narratives of modernity and minimalism and the role they play in contemporary society. This prompts us to question our own conceptions of ornamentation and the underlying complexities of our built environment.