Astrid Köppe | Susanne Piotter
1.-17.6.2023
Opening Reception: Thursday June 1, 6 pm
Galerie Carolyn Heinz
Galeriehaus Hamburg
Klosterwall 13
20095 Hamburg
https://carolynheinz.de/exhibition/concrete-matters/
Astrid Köppe | Susanne Piotter
1.-17.6.2023
Opening Reception: Thursday June 1, 6 pm
Galerie Carolyn Heinz
Galeriehaus Hamburg
Klosterwall 13
20095 Hamburg
https://carolynheinz.de/exhibition/concrete-matters/
with Galerie Inga Kondeyne
professional preview
Thursday 27 april 2023
2 – 6 pm (with vip card only)
opening reception
Thursday 27 april 2023
6 – 9 pm
opening hours
friday 28 april 2023
12 noon – 2 pm (with vip card only)
2 – 6 pm
saturday 29 april 2023
11 am – 8 pm
sunday 30 april 2023
11 am – 6 pm
deutsche telekom hauptstadtrepräsentanz
französische strasse 33 a-c
10117 berlin
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Galerie Carolyn Heinz
Ausstellung im Jupiter (ehem. Karstadt Sport), 2. OG
Mönckebergstr. 2-4, 20095 Hamburg
Eröffnung mit Drinks und Musik am
Samstag, 12. November, 18-23 Uhr
Ausstellungsdauer bis 20. November 2022
ALBA Gallery, Wien | Collectors Room | Galerie Kai Erdmann | Galerie Carolyn Heinz | Feinkunst Krüger | Tom Reichstein Contemporary
Wir zeigen Arbeiten von
Gabriele Basch, Katharina Büche und Astrid Köppe.
https://carolynheinz.de/exhibition/arnkephtckfcr-meet-us-on-jupiter/
with LAGE EGAL, Berlin
We look forward to welcome you at our Booth D17 featuring works by Astrid Köppe and Ben Greber from November 10 – 13.
Luxembourg
Art Week, the international contemporary art fair in Luxembourg,
presents each year a selection of established international galleries,
young emerging galleries, institutions and artist-run spaces allowing
collectors and art lovers to discover the best of modern and
contemporary creation.
Preview, Thursday 10 November, 7 pm – 10 pm
Opening, Friday 11 November, 6 pm – 9 pm
LUXEMBOURG ART WEEK, November 10 —13, 2022
Friday 11 November, 11 am – 9 pm
Saturday 12 November, 10:30 am – 7:30 pm
Sunday 13 November, 10:30 am – 6 pm
ASTRID
KÖPPE (*1974) works in a classical studio on her drawings but also in
an industrial factory, the only possible place where the complex
production of enamel can be realized. The large-scale enamels are
reminiscent of Köppe‘s biomorphic forms, but they appear simpler and
even more signalistic than her works on paper. Instead, the enamels have
a strong object character because of their materiality. Their clearly
recognizable patterns are reminiscent of pictograms, but they refuse to
be univocal and retain a certain mystery. They are rather like road
signs to a territory where one can not only examine the mechanisms of
one‘s own perception, but also discover the beauty of forms.
https://lage-egal.net/exhibitions/44568/lage-egal-d17-take-off-luxembourg-art-week-2022/works/
with Arte Giani
September 28 – October 2, 2022